Reading the Official Installation Manual is the safest way to preserve the legal guarantee in setting up the product properly.It covers the servicing, maintenance and repair of the product.Exploded views allow to identify all the part numbers and associated parts with the product in case they need to be replaced.
![]() Gem Wk2 Midi Arranger High School Manual Is TheThe schematics are helpful to repair the product in case of dysfunction. Not even the more flexible flagship SY99 was rid of those inherent complexities. Are these synthesizers from the early 90s as innovative as rumours have it. It was among the last Italian keyboard manufacturers, along with Ketron (Solton). The company had grown substantially, especially in the late 80ies early 90ies. But lets start even further back and have a look at Crumar first. When the great keyboard organ manufacturer closed its doors in 1986, it was bought by LEM. The latter was taken over by GEM a few years later, as was ELKA. GEM was still a name to take seriously in the portable keyboard, workstation and e-piano market. LEM produced mixing consoles and loudspeakers, while ELKA offered guitarbass amplifiers and portable p.a. The RD (Research and Development) department alone employed 25 technicians. Gem Wk2 Midi Arranger High School Series Custom ChipsThats where, among other things, some of the S-series custom chips were developed. After its collapse in 1988, GEMGeneralMusic took over the plans and brought the innovative S synthesizer project to realization. Sadly, the success of the S-series was limited, so GEMGeneralMusic cancelled the whole product line once the Turbokit had been released. A few years later another, very S-like synthesizer appeared, the GEM Equinox. It closely resembles the S2S3 and seems to be GeneralMusics last delving into high tech synthesizers. On February 2009 Generalmusic fired all workers that immediately filed for bankrupt which has been declared in 2011. Very sad. Looking at the S2S3, they seem like any ordinary sample synthesis keyboard workstation. But these are professional, genuine synthesizers with some fresh new functions and best of all a wonderful sound. Physically speaking, they tote some outstanding features: The enormous, deeply sunken aquamarine LCD, the two moulded (freely programmable) wheels, the masculine 61-note76-note keyboard, the many panel controls. The S-series flexible (open) operating system (called MIOS) lets you move about the instrument in a free-flowing computer-like style. Actually, the story should start back in 1988 with the all-time classic Korg M1. Its successor, the 01W, had a bigger screen, more samples, double polyphony and a new crazy feature called waveshaping. Roland tried to continue the success of the D-50 and released a PCM sample-based synthesizer called D-70. Sadly, it was too complex to program a real pain, once you began delving beneath the surface Yamahas SY77 (and its rack version TG77) equally suffered from a too-complex operating system. Although they could have been milestones in synthesizer history (as was the DX7), those wonderfully sounding synthesizers were a pain to operate.
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